Review: The Survivors

4 stars. Jane Harper is a must-read for me, and she should be for anyone else interested in exquisite mystery thrillers with complex characters involved in complex crimes. In this one, a body of a young woman is found, throwing a small coastal town into chaos. But the core of the story is not a traditional whodunnit - it's also about a storm that ravaged the town over ten years ago, leaving three victims in its wake. I say this adoringly, but: blah blah blah, secrets, clues, family drama, unanswered questions, misplaced blame, etc. etc. etc.

For some reason this one is less of a compelling mystery and more like a ........ feel-bad story. Don't get me wrong, it's a pageturner and I wanted to know the answers, but it felt very grim getting there. Maybe I've forgotten how Harper flavored her other books, and maybe I'm inactively looking for a pick-me-up / grand escape in my reading these days, but it didn't quite hit the spot like I expected it to.

That being said - how wonderfully refreshing to read a book with a young father as the hero, unraveling the mystery with his loving, reliable partner. Also refreshing: a twist I didn't see coming, unexpectedly profound words on grief and guilt, a fantastic ending. Harper really nails those. I also appreciated the pacing and the length of this one, just concise enough to keep me up late thinking "just one more chapter..."

Clever title, BTW! The concept of the Survivors as an art piece is awesome, but obviously the word refers to our characters - each a trauma survivor in his or her own way. I really loved the very human and very heroic failures illustrated in this story, despite the utter darkness seeping out from between the lines. Harper plays with the concept of hero/villain once again, exploring the choices and decisions that lead us down one path or another. Or, maybe, landing us somewhere in-between.

The Survivors on: Amazon | Bookshop.org | Goodreads

Review: All Things Cease to Appear

5 stars. Wow, how brutal was this? I can't believe I went from the magic of Daevabad to All Things Cease to Appear. Guess it's true: I really do read everything I can get my hands on. And you know what? I loved it just as much. This is one of the most harshly human stories I've ever read, and also a lot of other things: a pageturner; a character study; a mystery. There's a murder, and a small town, and a marriage, and it takes those familiar ingredients and bakes something truly special. Painfully, sharply special. Haunting in every meaning of the word.

This book really sneaks up on you, and I highly, highly recommend going in blind, so I won't summarize except to say, broadly, that this book is about a young couple that moves into a house with a past in a small town. But it really is about so much more than that - grief, hope, despair, love, faith, art, belief, loyalty, and betrayal. Tragedy. Joy after tragedy. Arrogance. The hunt. Rage. Peace. And so much more.

By the time it ended, my heart was in my throat. Sometimes it's hard to turn my analytical brain off, but this book washed over me to the point of serious emotional investment. I ached for these characters and I felt connected to them - the female ones, particularly, dug under my skin and will probably live there for awhile. They made interesting, different choices, and pursued unusual paths, which lent itself to the plot but also a sense that this story is real. It feels like real life. I think I fell in love with each of them, a little. For whatever that's worth.

I really commend Elizabeth Brundage for taking a familiar skeleton of a story and painting its image in a new light. The way things unfold and the way she writes about the in-between spaces and the way she leaves nobody untouched and the way she works through darkness and light and the way things unfold ... it's absolutely brilliant. I want to read it again so I can sift through the sand more carefully; the first read was too white-knuckly, in a good way. I need to think about it some more and maybe, if I’m lucky, discover some of its secrets.

Flagging this for my best of the year list, for sure.

All Things Cease to Appear on: Amazon | Bookshop.org | Goodreads

Review: Plain Bad Heroines

3 stars. Inn-turr-ess-tinggg. I'm thrown. I didn't hate this, don't worry, but something about it was, well, excruciatingly annoying to me. Between the quirky footnotes, the flashbacks, the lack of horror, the sheer wordiness of it all... plus, character access felt shallow; toe-deep, and the viewfinder felt off-kilter, like we could only see one corner of the full picture, or we could only look at it sideways.

The whole thing just didn't come together in the right way, for me. And it's very possible that it all just went over my head, too.

Story 1: Present. Three young women, two actresses and an author, are brought together to make a movie about Story 2.

Story 2: Early 1900s. Three young women die under mysterious circumstances (two stung by a swarm of yellow jackets; one ate poisonous flowers) at a school for girls in Rhode Island, and the principal must deal with the aftermath.

Our questions: did something sinister lead to their deaths? Why do strange and unusual things still happen on the school's land? How will they make a movie about its hauntings, despite its hauntings? And WTF does Mary MacLane have to do with it, other than connecting all the main characters and being kind of an original badass herself?

And also, in addition to being about all that, it's about women in love with each other and the many different colors of being queer. Which is wonderful.

But back to that sideways viewfinder. Maybe it was sideways, maybe it was foggy. I just couldn’t bring it into focus. I just couldn’t figure out what I was looking at. Carefully built momentum took me nowhere. Deep dives seemed pointless. The author led us down rabbit holes that didn't seem relevant or resolved. It's full of excellent moments, for sure, but the connective tissue just wasn't strong enough, for me. I hate to say it, because this mood board has almost everything I love on it - it's just, when I step back and look at it as a whole, it's a mess.

And back to that shallow character access. Especially in Story 1, I never really got to know the three girls. For real, deep down. The narrator (anonymous? Did I miss something?) tells - it's very tell-y - a lot about their actions and thoughts but they somehow still seemed so ... flat.

Finally, though this is marketed as horror, it doesn't really hit in a scary way. There are creepy moments, and a lot of meta-exposition on the academia of horror (which I admittedly loved), but no true frightening moments. I couldn't even really tell if the stakes were that high, honestly. And the climax proved, unfortunately, that they weren't, canceling any delicious dread I felt as the mystery unfolded.

So there it is. No regrets, truthfully, because I was absolutely picking up what it was putting down about queerness and queer history and I loved the gothic tropes and the themes. And I can't rate this any lower because it is truly impressive and ambitious and like I said above, it's possible it just went right over my head. I would LOVE for someone to convince me what I missed and what it’s all about and why I should LOVE it. But here we are. Thanks for listening, anyway.

Plain Bad Heroines on: Amazon | Bookshop.org | Goodreads

Review: Catherine House

5 stars. WOW, UNEXPECTED!! In a great way. Very Vita Nostra, which I INHALED and loved, so I really enjoyed this. I saw Catherine House described as quirky in another review, and I'd agree except I'd maybe say darkly quirky instead. The narrator has a meandering, unpredictable voice that feels like quite a slap to the brain and the plot doesn't really progress in a natural way. Again, very unexpected and unique.

The story is told by our protagonist, Ines, at the beginning of a three year stay at Catherine House, an exclusive and isolated school whose alumni go on to be incredibly successful - rock stars, famous authors, Supreme Court judges, etc. Catherine House has an unusual set of rules and curriculum standards, and Ines, after a rocky start, begins to feel at home in a way she never felt on the outside. She finds herself drawn toward an academic path focused on "new materials" and attempts to investigate while determining her own uncertain future.

The writing here is very beautiful and atmospheric, and to me shone far brighter than the plot or central mystery. That's okay with me, it won't be for other readers. Just like Vita Nostra - pulling from what is probably The Secret History (I see you I feel you *waves* Hi, Bunny) - this book has a campus novel slash dark academia feel to it in all the best ways, with some absolutely brilliant details. Yeah, I'm talking about the meta lessons about the uncanny, and futurism, and surrealism. Yeah, I'm talking about the references to all the rich, sweet food eaten in the Hall. Yeah, I'm talking about the wavy, vague depictions of what it is to be wine-soaked and young in the summertime. These details really impressed me and came across as vivid, important and thoughtful.

Now that I'm writing this, I think I'd call this book a feeling. It's not an answer, or a declaration, or even a narrative in the traditional sense. It's like slipping into a pool or a cloud or a bubble. It feels cold and hot and provokes dread and anticipation and desire with subtle gestures rather than outright action. Reading it is sensational, in a literal sense; unsettling and even disturbing at times, but all in all it is the type of thing I love. Cinematic and beautifully artistic. So, yeah, not for everyone, definitely for me. 

I have a feeling that Elisabeth Thomas and I are about to become good friends. 

Catherine House on: Amazon | Bookshop.org | Goodreads

Review: Mexican Gothic

5 aromatic, fruitful, gloomy stars. I'm slowly recovering from the biggest reading slump I've ever experienced, and I'm happy to report that Mexican Gothic served as a healthy reminder that books are magic, to me. Everyone's saying it - and now I can happily confirm that this is Bronte meets Vandermeer. I loved it. This is one of those books you hate to put down, because it sucks you in story-wise AND character-wise. Every person in this story is distinct and interesting. 

The story: an intelligent, headstrong young woman named Noemi is sent out of town to investigate when she receives a rambling, mysterious letter from her newly-married cousin. She heads to High Place, a crumbling old mansion occupied by a cold, cranky family. The longer she stays at High Place, the more concerned she gets for her ill cousin, and the more ill she feels herself. So many secrets!

Among the positives: the setting, the snappy, brave protagonist, the writing that is somehow both matter-of-fact and also lushly atmospheric, the pacing, and the subversion of certain tropes about masculinity and love. As soon as I read the last word I wanted to rewind and start all over again, which is extremely rare for me (as in, it happens maybe once every 50 books or so). I snagged this at the library but will be investing in a copy for myself. It's that good. More than good, it's that FUN. 

There are plenty of little details here (like Noemi's knowledge of chemicals and dyes) that make this work so well, but I think overall the story is just a classic one. It borrows from the greats but it's not too boring or familiar - it has all the exciting elements for a fantastic gothic mystery. The villain is absolutely (and delightfully) awful and there's plenty of social commentary to unpack. I'm just really, really impressed.

I WANT ANOTHER ONE.

Mexican Gothic on: Amazon | Bookshop.org | Goodreads

Review: The Whisper Man

4 stars. WOW - this was a lot more complicated than I anticipated, in a good way. This book is a very successful example of multiple threads being woven into a complete and thrilling tapestry. I read it in one day and couldn't put it down. I was even, shall I say, a wee bit unsettled at one point...

The Whisper Man features several characters living in a town plagued by tragedy: a man, who recently moved their with his young son for a fresh start after his wife's death, an older detective haunted by a murder case he solved twenty years ago, a younger detective put on a frighteningly similar case, and several other minor - but sinister - individuals circling the mystery.

The multiple voices worked really well (I can't even complain about the younger child's POV, which I always compare to Stephen King and almost always find lacking - but not here!), and the twists and turns tie everyone together nicely. I didn't predict all of the reveals, which was quite something! 

If I did have a slight complaint, I'd say that Tom's voice sounded a bit ... I'm almost scared to say it ... feminine. I kept thinking I was reading from the perspective of a mother rather than a father. I mean, he drank white wine! I know, I'm joking, I would never adhere to such crippling gender stereotypes, but something about his approach to certain situations felt ... off. This is most definitely a problem with my interpretation and not the writing. But I am curious if anyone else experienced the same sensation.

Honestly though, this was great. This would be a fantastic beach read for those of us who like to lean into the dark stuff while lounging in the sunshine. I almost wish the author had leaned even a little bit deeper, because he's talented at writing creepy moments. 4 stars overall, and now I'm back to the Expanse............... god help me.

The Whisper Man on: Amazon | Goodreads

Review: The Name of the Rose

2019 CHALLENGE: 1 YOU HAVEN'T READ THAT YET?! PER MONTH 09 / 12

5 stars. I'm reminded of a quote from the film adaptation of The Da Vinci Code, of all things: "who is God, who is man? How many have been murdered over this question?"

[I am NOT comparing the two - they exist on different planets. Maybe in the same galaxy, though.]

The Name of the Rose is not an easy read. I might actually suggest a perusal of the Wikipedia page upon finishing just to tighten any loose knots. I had no trouble comprehending the basics, but the details - and in some cases the dialogue - were difficult to grasp. I have no shame in admitting I needed a dictionary! The details are really what makes this incredible, though.

As soon as William of Baskerville, a Franciscan friar, and his novice Adso arrive at a Benedictine abbey in Italy, they are greeted with trouble. A monk has been found dead under mysterious circumstances, and the abbot asks William to investigate. Through Adso's eyes we watch the mystery deepen and the bodies pile up.

This is not your typical cut-and-dry crime novel, though. William, an obvious Sherlock Holmes type, soon discovers that his basic investigation will have a broader and more complicated impact than he could ever imagine. And the more he pulls on threads, the higher the stakes climb.

I'm not a religious person, but I am deeply interested in religion. After all, it inspires so much good, and so much evil, and I so totally understand the power and the comfort of its rituals. I truly enjoyed Eco's wordy explorations of holy motivations and sin and religious priorities and heresy and belief. He ardently admires and carefully exposes the church with stunning dexterity and poise. The arguments, and the what-ifs, are fascinating.

Don’t worry, there's "cool stuff" here too: a literal library labyrinth, brutal murders, intense courtroom drama, sex, poison, and more. Despite being so challenging, I would describe this as a pageturner - I couldn't wait to pick it back up when I put it down.

But it's certainly not for everyone and it's certainly not a beach read. This is for those in a contemplative, studious mood. There are passages that are, quite honestly, Extra AF. I, Kelly, give you permission to skim these (as well as the Latin), because NOBODY WILL DIE and your reading experience won't suffer. I learned this reading Henry James - stop trying so hard, let the words wash over you, and ride the wave to the end.

The Name of the Rose on: Amazon | Goodreads

Review: The Witch Elm

3 stars. WELL FUCK. I should've loved this. This is my fourth French, and I love her, love her still, even though this didn't hit quite right. Allow me to explain:

1) I'm starting to detect a pattern in French's writing, and certain familiar motifs. This felt similar to Faithful Place in a couple of ways: the well-written and cringe-y Awkward Family Event(s); the Awkward Family Dynamics among siblings I mean cousins; a protagonist who is completely blind about people he's known his whole life; the morality crisis... I could go on. I love that French writes about these things so deftly, it just didn't feel fresh this time.

2) I figured it out way too early! Like less than halfway through! Damn it!

The Witch Elm is about a young, easygoing guy named Toby who on one random and horrifying night is brutally attacked by a couple of burglars. It is nearly impossible for him to adjust to his new body, his new life, the new challenges - he is essentially handicapped. He decides to move to an idyllic childhood holiday home to care for his dying uncle and continue his recovery, but all is interrupted when a skull is discovered in the backyard garden.

It's kind of a weird premise. All the way through I kept wondering whether or not this would be about Toby's injury, his recovery, the burglary itself or whatnot, and it sort of turns into a mishmash of several mysteries orbiting this struggling guy. It takes awhile. I understand French is trying to do a lot here: she's picking apart the concept of luck, exploring victimhood and morality, measuring the weight of choices both small and large... all themes I typically enjoy. It just wasn't enjoyable, here, for me. I should've felt so satisfied watching Toby - who is essentially a golden fuckboy I'd resent so hard IRL - spiral into oblivion after experiencing loss and hardship for the first time. But I didn't. And I almost didn't even care.

That being said, it's unputdownable. French's writing is as delightfully colloquial as ever, and I love her use of detail. I didn't even mind the questionable plot, and that's bothered me somewhat in her other mysteries. It's not that I wouldn't recommend this, I would - it's a solid, deeply philosophical literary thriller - but it doesn't sparkle the way her Dublin Squad books do.

The Witch Elm on: Amazon | Goodreads

Review: The Death of Mrs. Westaway

2 stars. Hmm. This is not what I expected. I didn't enjoy my first Ware read, but this had such glowing, trustworthy reviews I went in hoping for the best. Unfortunately, it didn't work for me. It's not HORRIBLE - and I highly recommend this for the beach or on a plane - but I think I fell victim to the hype.

The Death of Mrs. Westaway zooms in on a young, struggling woman named Hal, who receives a letter stating her as a beneficiary of her grandmother's estate. One problem: she doesn't have a grandmother, or any family at all. Needing the money, she decides to answer the lawyer's invitation and see if she can take advantage of the legacy regardless.

She travels to an old, cold mansion and meets the family: her "uncles" Harding, Abel and Ezra, plus Mrs. Danvers I mean Warren and some feisty "cousins" that she resents for being rich and carefree. Her deception begins to weigh on her, until she begins to understand exactly how many secrets the family is hiding. Then it becomes a race of sorts: a race for answers, a race for the truth, and eventually, a race for her life.

As exciting as that sounds, there's a lot of thinking in this book. A lot of thinking and analyzing and agonizing and worrying and freaking out. With a little bit of conversation and action thrown in. There are a lot of questions in the prose: literally - we are privy to every question Hal asks herself about her situation. It's a bit weird, a bit annoying, like asking the questions for the audience instead of letting the audience just ... think them.

I also guessed the twist(s) 35% in. Yay me.

I also really wanted something spooky and haunting, but I got a lot of family drama. Ugh, I don't know. It's a page-turner, for sure. It's sort of flaccidly gothic in tone and atmosphere. But there are also a lot of loose ends ... sigh. I'm sorry, I'll probably keep trying with this author, but so far she somehow manages to write stories that are implausible and predictable for me. I look forward to seeing her mature out of her pattern...? Hopefully one day! I will say that Hal was a pretty great character - even when the others were bland and one-sided.

The Death of Mrs. Westaway on: Amazon | Goodreads

Retro Review: The Alienist

When I started this blog, I had been posting reviews on Goodreads for about 6 months. In the interest of having all of my book writing in one place, I will post one of these old reviews every Friday. They weren't written with a blog in mind, so please forgive the lack of summary and off-the-cuff tone.

4 stars. I read this years ago and picked it up again to prepare for the miniseries. I just love it. Carr magically incorporates a ton of historical detail without bogging the story down - in fact, he elevates it. It’s incredible.

The sense of realism is, actually, its distinguishing factor for me. The authenticity is what makes this different from your run-of-the-mill historical mystery novel. It has everything typically found in crime fiction: horrific murders, exciting chase scenes, a theatrical climax ... but this does not feel like a novel written decades after the action - it feels like a novel written by someone who was actually there. 

Docked a star for melodrama and for the implausible open-mindedness of the main characters. But The Alienist is a spectacular accomplishment and a classic. Don't shy away from the length or the occasionally dry language because the story is worth your investment. It feels academic and scholarly but it's highly entertaining. I recommend for fans of New York, for fans of history, and for fans of good old-fashioned detective work.

The Alienist on: Amazon | Goodreads