Review: Eaters of the Dead

5 stars. I read this and loved it in college, but it was so, so, so great to revisit it after leaning into my Viking interests over the last few years. The things I didn't recognize then I can place and frame contextually/historically now, which added a whole layer of stunning genius I couldn't pick up on before. Michael Crichton isn't a perfect author, and some of his older stuff especially leans a tad problematic, but this one is really, really, so, so good. 

It's about Ibn Fadlan, an Arab ambassador who winds up accompanying a group of Northmen (Vikings) on an epic quest to rid their land of a terrifying evil. The narrative is told in the form of a sort of anthropological manuscript; Ibn Fadlan's observations about the Vikings and their culture, based on his truly immersive experiences. He is critical, curious, and very sharp, and breathes new life into a tale that's so well known and widely studied.

I have to say that it was super refreshing, after dealing with a bit of a reading slump recently, to read such a well-plotted, well-paced, well-written story. It's based on, of course, the OG story, so we've had thousands of years to edit and carve out the best, juiciest narrative. Still - this is a brilliant version. Great for regular readers of horror, fantasy, even historical fiction; great for fans of Vikings, epics, and monsters. 

Eaters of the Dead on: Amazon | Bookshop.org | Goodreads

Review: Lone Women

4 stars. I love a good mystery box - in this case, a literal mystery box - and I love when it's utilized in unique ways. In this book it's blended nicely with horror and lends itself to a nearly perfect premise; it certainly kept me engaged for the first half of the book. The big reveal was interesting and fascinating. Lone Women is bound to make you think.

It follows Adelaide Henry on her move from California to Montana in the early 1900s. She carries an impossibly heavy steamer trunk, and is looking to disappear. Big Sandy welcomes her at first, providing a sense of community in the town's quest to survive the harsh landscape. But Adelaide can't settle, nor can the town be at peace; her trunk holds a very dangerous secret, and they all must learn to survive it.

A must-read for horror fans, especially ones looking to scratch an itch for something Western. It's compelling, unique, and intense. I docked a star because it felt a little like the author... pantsed it, for lack of a better word - no outline, no plotting in advance, just writing as the narrative came to him - and I think the characters suffer slightly for it. This isn't necessarily a complaint, but certain elements felt very... random.

Still, it's so much fun. Definitely unpredictable (except for one certain character's "twist"). Maybe a little cheesy. The opportunity to explore this time and place is very welcome. I'm a little unclear on a few things, but that's fine. What I gleaned and learned and chewed on reading this book made it entirely worthwhile.

Lone Women on: Amazon | Bookshop.org | Goodreads

Review: North Woods

5 stars. Lives up to the hype, I fear. Of course, this checks a lot of personal boxes for me: woods, ghosts, art, landscape, the way history sits on top of itself... deep but palatable character studies. I went in with a skeptical eye (I'm sure there are a ton of things any reader could pick apart and criticize, as with all books-of-the-moment), but truthfully, I couldn't put it down. It's immersive and very well-written and satisfying. Also, it's very horny. You'll know what I mean when you read it.

There's that word coined a few years ago that went viral: sonder. The realization - or sensation - that everyone, including (especially) strangers around you, has a life and consciousness as complex and rich and layered as yours. North Woods takes this and applies it to the history of a house and the sequence of its inhabitants, starting with a young Puritan couple and making its way to modern times. It is a love letter to the woods, the specific nature of New England, the land, time, fate, history, and humanity - with all our fights and faults and feelings and connections and errors. It did make me think about the very full, complex, rich lives lived by the previous owners of my home and what they might think of mine.

I'm a bit at a loss as to what further commentary I can offer: I think it's one of those books you just have to read. That being said, I'd be overjoyed to read the critical commentary of others. This is a very full book, and I'd love to take a class on it. I respectfully request a supplemental reading list, a playlist, and a comprehensive list of all the connections and clever throwbacks. I'm happy to own it - it's the type of book I'll want to revisit, and annotate, and breathe in.

North Woods on: Amazon | Bookshop.org | Goodreads

Review: The Great Alone

Unrated, because honestly, I essentially skimmed the entire second half. I can't give what is clearly a well-written, well-researched, interesting and resonant book a low rating knowing I didn't actually give it a full, clean chance. I didn't connect with it, on multiple levels, but it's giving season - I feel like being generous. (Full disclosure: I read a full chapter-by-chapter summary so I do know how things unfold, and how it ends.)

It has a fascinating premise. The Allbright family, consisting of Cora, veteran Ernt, and young daughter Leni, travel to Alaska for a fresh start. Ernt suffers from PTSD and abuses Cora frequently, unable to settle or provide properly for his family. Alaska - harsh, isolated, promising death at every corner - gives them a chance for happiness, he feels. The community welcomes them, helps them, teaches them, and prepares them for survival. But winter is coming, and the tension that rattles Ernt never fully fades.

The story dragged, for me. I kept thinking I had read the climax and then realized I still had most of the book to go. I also found the young people - Leni and especially Matthew - to be written without any sense of realism. It's really rare to find an author who can write pre-teen and teenage boys even semi-realistically, so maybe I should be more gentle, but both struck me as way too... articulate, open, in touch with their emotions and able to express them. I'm also not a huge lover of the true love of it all, and the unfolding of that just solidified my incredulity about the two.

I commend the author, though, for painting such a harsh and true portrait of domestic violence. Almost a little too textbook, honestly, though I realize that makes me seem hypocritical. My favorite parts were the passages about Alaska itself, the homestead lifestyle, the community, their initial discovery of their new home and their determination to inhabit it. Alaska was the  most fascinating character, to me, and I would love to travel there to get even a taste of what the author describes so vividly. 

I can see why this book is so popular. I'm not NOT recommending it. Frankly, there's enough going on in my life right now that I suspect my reaction is timely and not book-specific. This is a very dark, disturbing story, and my heart was in my throat most of the time while reading it. The themes are incredibly important and are worth a good, long chew before swallowing. But yeah, truthfully, I wasn't feeling it. 

The Great Alone on: Amazon | Bookshop.org | Goodreads

Review: Wakenhyrst

4 stars. Absolutely wonderful! This is a super refreshing piece of horror that takes a ton of familiar and beloved Gothic elements and weaves a beautiful, textured, spooky tapestry. It's sort of three stories in one, with Big Themes such as guilt, oppression, religion, secrets, coming-of-age, patriarchy, and rage. There's a bit of a mystery but this book is definitely more about the journey - the slow build, the creeping dread, the eerie setting, the rising tension - than the answers. I loved it.

A young girl, Maud, lives with her parents in a large manor house in Suffolk. Her mother is constantly with child, and her father is rigid, repressive and strict. After her mother passes, Maud is left lonely and finds comfort in the nature and beauty of the nearby Fens. But something stirs in the reedy green depths... something old but not forgotten, something that will trigger a reckoning, changing the lives of Maud and her father forever.

There's a whole lot wriggling around and among the many layers of this story. It reminded me of O Caledonia a bit. Maud's father seemed a bit cartoonish to me at times, but I think that's because I can't quite grasp that that's sincerely how men treated women back then. It made his comeuppance all the more satisfying. And I really, really loved the character of Maud. As a stubborn grudge-holder myself, I couldn't help but admire the way she sharpened her resentment into the nastiest of blades. I felt for her and rooted for her. 

It may not be the scariest of horror novels, but it's very atmospheric, and it scratched the itch for me. (And I'll admit, I jumped a few times seeing shadows walking the dog at night after reading.) I couldn't put it down, and like I said - refreshing! A very unique tale. It felt well-researched, and I loved the bits about history and art history and the glimpses of the town and the superstitions and folklore. I recommend it.

Wakenhyrst on: Amazon | Bookshop.org | Goodreads

Review: Howls from the Dark Ages

3 stars. This book is a super disgusting, bloody fun time. It seems to me like Between Two Fires sparked a huge interest in medieval horror - but nothing has lived up to its success since (not surprising, considering it's one of the best books I've ever read). Howls from the Dark Ages makes a valiant attempt. And I kind of want more.

While some of these stories are standouts, there isn't really a bad one in the bunch. Each one was the perfect length for my commute on the train. From a medieval perspective, there's a lot to enjoy: castles, dusty manuscripts, flickering candles, shining armor, bloody swords, heavy crowns. And from a horror perspective, there's something for everyone: creeping dread, extreme revenge, body horror, religious fear and trauma, monsters, creatures, evil in every shape and form - fungi, even. And as with all great horror each story explores how humanity fits into it all - its temptations and capacity to embrace darkness the scariest thing of all.

My favorites included In Thrall to This Good Earth, The Final Book of Sainte Foy's Miracles, A Dowry For Your Hand, and The Fourth Scene. Many of the images from these will stick with me for a while. Putting together an anthology like this must have been a ridiculous challenge: everyone involved deserves applause for including such variety considering the common threads plus the tropes we all know, love, and expect. The central narrator/tour guide was a clever touch and while kind of gimmicky I couldn't help but smile at it. 

I'm not typically a short story girly but I'm learning to enjoy and appreciate their value. I'll be checking out many of these author's additional works and keeping an eye out for more medieval horror to come. Absolutely worth your time, especially during spooky season, if you dare...

Howls from the Dark Ages on: Amazon | Bookshop.org | Goodreads

Review: His Bloody Project

3 stars. I struggle with where to fall with this one, because it's so clearly a well-written, well-researched, thoughtful piece of work indicative of a very intelligent, talented author. I couldn't put it down, for what it's worth, and I absolutely adore epistolary novels, so I found that aspect really engaging and fun. But I think ultimately it wasn't a home run for me because, to be very frank, I was expecting a last-minute twist, so I spent my whole reading experience anticipating that and looking for clues.

His Bloody Project "collects" various documents related to a murder that occurred in rural Scotland in the late 1800s. Included are witness statements, a transcript of the trial as well as the murderer's confession and account of the crime. We as readers learn through these documents about the events leading up to the murders, the history of the town, the victims and the manner with which justice is sought. 

I recommend it as long as you go in knowing: this is not a mystery, or a thriller, or even a why-dunnit. It's a piece of historical fiction that offers an incredibly detailed, thorough image of a time and place. And it's an examination of a "true" crime through an almost academic legal lens. It's essentially a long Wikipedia article, and if this sort of thing interests you, you will love it. If you are looking for a more traditional crime thriller, or as I mentioned before - a twist, you should stay away.

Also, I have some questions!! Multiple interesting considerations were only hinted at or barely examined, when they could have lent additional depth to this. Many other reviewers have noticed that these are clever hints implying a darker conspiracy at work, and I'll continue to think about that - maybe even re-read a few passages. The "villain" was a little cartoonish and I didn't totally buy the main character's path from A to B to Murder - do these play into the bigger picture? Hmmmmmmm.

Anyway, I can't not mention the bigger themes: oppression, suppression, repression, prejudice, religious fervor, access in isolation, tradition, justice, psychology, sociopathy, duty and honor and obligation, the definition of "civilized," the purpose of law, the futility of law, the faults of law, I could go on and on. It's good stuff, it really is. I have no regrets and I'm glad I read it. GREAT title, too.

His Bloody Project on: Amazon | Bookshop.org | Goodreads

Review: In the House in the Dark of the Woods

3 stars. Not what I was expecting at all, even though I knew to expect something strange and far out there! As best as a summary as I can manage: a woman heads into the forest to pick berries for her family, gets lost, goes missing. She then has a long series of very unusual, enchanting, mysterious, almost magical encounters with those who dwell in the woods and finds herself trapped - or perhaps flings herself willingly - into a cycle where her choices will impact far more than her quest to return home.

1 star for slaying a style of writing I've never really encountered before: not only was it very different and unusual, but it was good and beautiful and refreshing. Not different for the sake of being different. Different because it lent to the setting, the voice, the tone, the narrative itself. It further distinguished the book as its own thing - see below. 

1 star for the setting. I'm such a sucker for Colonial horror, especially with witches and crackling fires and magic herbs and fouled wells and berries with cream and bonnets and religious fervor and the decidedly male determination to conquer what is wild and shouldn't be tamed. Take the movie The Witch, turn it inside out, then tip it sideways and then zoom out - this is the type of story you'll find.

1 star for being completely untethered. I considered docking a star for this, but I've so rarely encountered a story that doesn't really reference, or connect, to anything familiar (and boy oh boy did my brain try - over and over again to grasp at whatever it could) that I can't help but admire it. Aside from the most prival (primeval) tropes, like the evil in the woods, and maybe a few lessons about consequences and making promises, this is truly its own thing.

I think maybe I'll remember this story by its moments - by its individual threads versus the whole tapestry. The blurb uses the word "ingenious" and I don't think that's wrong... but it's maybe a little too ingenious, for me. Reminds me of something almost academic. But I truly respect it. And I would like to read more by this author. I might even re-read this one, if I feel like a rabbit hole again.

In the House of the Dark of the Woods on: Amazon | Bookshop.org | Goodreads

Review: The Pale Blue Eye

5 stars. WOW WOW WOW. Believe it or not, this was a re-read. I specifically remember pulling it off the shelf at the library when I must have been - oh, maybe 15 (?!). I was a huge fan of mysteries and of Poe, already reading way above YA-level, so I must've been interested, until I apparently read it, immediately forgot all of it, and then randomly rated it 2 stars on GR years later. A bit ironic, considering I'd now call it unforgettable.

In the early days of West Point Academy, when even the existence of America's military fluctuates based on politics and opinion, a tragedy has occurred: the death of a cadet. Retired constable Gus Landor is pulled away from his isolated farm to investigate the horrific mutilation of the body, and must enlist the services of a cadet - a young poet named Edgar Allen Poe - for assistance. With few leads and many suspects, the two forge a strong friendship despite, or because of, the strange darkness of the crimes they seek to solve.

This is a deeply engrossing, atmospheric, Gothic-adjacent piece of historical fiction. I was immediately charmed by its tone of voice - both tones of voice - and the wry humor threading its way through the suspense and intrigue. It was easy going, because I was very interested, but it also had me flexing some muscles I gained as an English Lit major I haven't used in a long time. Speaking of which, this book should absolutely be studied.

I should mention that my opinion of this around the 75% mark was different. I thought everything was a bit too obvious, the villain too predictable, the second half draggy, and that our detective didn't even do that much, well, detecting. But I shouldn't have doubted: the storyteller lands the plane with an incredibly satisfying, thrilling, thump to the ground. I am a little bit in awe.

Is it perfect? Of course not. Every now and then I found myself laughing, unsure if I was laughing with the author or at him. That wry humor could've easily veered into an obnoxious pretentiousness - Bayard is obviously incredibly talented, and knows it. And yes, I think maybe the twist will piss off some readers, if they make it there. Cartoonish? It's something. But I, going on gut alone, think Poe would have approved. Does it all make sense? Does it track perfectly? Does it matter?

I would've liked to spend more time with Landor and Poe. They felt like family, by the end... forgivable of their flaws, perhaps even honorable because of them. But there couldn't, or shouldn't, be a second team-up, it would be impossible and cheaply composed and contrary to the corner of this story that is tragic. Another re-read, then, in the future, when I've again forgotten the twists and turns - or maybe when I haven't, and can read it with a sneakier eye. 

The Pale Blue Eye on: Amazon | Bookshop.org | Goodreads

Review: Company of Liars

4 stars. I hate to say it, but this book should also be classified as horror. It's one of the most bleak, disturbing pieces of historical fiction I've ever encountered. I truly did enjoy myself - I was completely transported - but damn. I'm not sure what sort of ending I was expecting, but I didn't think its final wink would be so sinister. Chilled my bones.

It's been years since I've read Chaucer's Tales, but apparently this is a "reimagining" - go in expecting a noisy party full of distinct characters, dramatic episodes and dark fairy tales. Quite a bit of research went into this, the resulting details of which I appreciated very much. It takes place during England's Plague Years and the setting is illustrated accordingly. Nine travelers, whether by fate or circumstance, come together and embark on a journey to escape the pestilence, and perhaps also escape the consequences of certain actions. 

From a technical standpoint, this book has some clumsy exposition. Minor, random characters who give oddly long speeches just to add some context or worldbuilding, stuff like that. Primary characters who also give oddly long speeches only to reiterate what has already been shown, or told, to us as readers. 

Along those lines, this book is very, very long. I truly can't decide if it needs editing or if it successfully paints the quiet moments as well as the loud ones. Still, it takes its sweet time and meanders a bit in places. Clearly the author adores her characters and relishes every single visit with them... and expects the reader to do the same. What's the word I'm looking for? Self-indulgent, though that seems a little harsh. 

This book also telegraphs its punches. I am legitimately unsure if the various twists, turns and secrets were meant to be predictable or not. The clues are very obvious but the reveals (except for the final one) are treated with such surprise vibes! Coupled with the meandering length, this did give me slight "get on with it" vibes.

All that aside, I highly, highly, highly recommend. This is a thought-provoking tale with a lot to unpack. There's a heavy, heavy sense of dread related to the plague, to which I think we can all relate at this point, and also related to... individual morality, mortality, personal justice, desire, conformity, penance, sin, shame, regret, impulse, righteousness, greed, God, man, the sanctity of the soul... the world is a very dark place and we make it darker for ourselves. We fight many, many battles during life but the hardest are the ones we fight against, and within, ourselves. 

Bleak, I warned you! However, while there may not be hope for humanity as a whole (as emphasized explicitly by this book), we can find evidence of warmth, kindness and contentment in tiny moments every now and then. Maybe in a warm meal or a cold beer. Maybe in songs or stories like this one. I encourage anyone interested to check out as many reviews as possible, as many readers more intelligent than I have written about this book from wiser perspectives. FWIW, I'll probably return to it again in the future.

Company of Liars on: Amazon | Bookshop.org | Goodreads