Review: Chasing the Boogeyman

3 stars. Interesting! I'm not sure I would call this horror, exactly, or even a thriller... it's more like a uniquely formatted memoir/mystery. I've never read anything by Richard Chizmar before, but 10 pages in I was like ... okay, this guy loves Stephen King. And Ray Bradbury. Sure enough, he references and admires both loudly. I think that's awesome, and those authors are the absolute masters, but I wish horror authors would channel someone else every now and then, lol. It was just so obvious.

Chasing the Boogeyman is a fictional story written as though it is a new edition of a non-fiction true crime book "originally published" in the 90s about a series of murders that "take place" n the 80s. The setting, and even some of the characters, are real. The killings/circumstances are not, but that doesn't matter. It's still a strong narrative and a real pageturner. I read it in one day. Think I'll Be Gone in the Dark.

Unfortunately this didn't... really meet my expectations. It read like a slightly more elevated creepypasta, like something you'd find on r/nosleep, which isn't a bad thing, it just didn't blow me out of the water. I can't relate to the deep nostalgia Richard Chizmar felt for his childhood and adolescence, not just because I didn't grow up in a small town, but because I wasn't as, well, privileged. Bradbury admittedly looks back at the 50s with rose-tinted glasses, but at least he chose to express a profound sense of humility and gratitude over a sort of feaux-aw shucks attitude and melodramatic posturing about growing up.

Eesh, that sounds really harsh. I'm sorry! This is one of the highest rated horror books of the year, and probably deserves it for the creativity of the premise alone. The chapters about the murders were well-written - although I PICKED OUT THE KILLER ALMOST IMMEDIATELY! Why does my brain do that! I was so bummed when I found out I had been right ... I was really hoping for a better twist.

I'd better stop before I complain this into oblivion. Listen, I recommend it. I liked it! I'd like to read more by Chizmar. It's perfect for fans of King and Bradbury and true crime books. It has clever moments. I loved the pictures, as staged as they looked haha. The blending of the real and the fictional is very well done. It just didn't ... you know, thrill me.

Chasing the Boogeyman on: Amazon | Bookshop.org | Goodreads

Review: The Trespasser

5 stars. She's done it again. These books are everything: well-written, entertaining, witty, intense... full of deep warmth and true ugliness. It's officially a desert island series for me. The characters are so lovable (or so hateable) and each book offers something truly unique. I've noticed that as the series continues, the scope of each mystery changes... the early ones take place over a longer period of time while the newer ones take place over, what, 2-3 days? She's honed her already impeccable craft... the quality of the storytelling is absolutely maddening and I wish I could shake Tana French's hand for achievement in writing. I'm obsessed.

Antoinette Conway, poor thing, it's your turn. Step right up to the chopping block. That chip on your shoulder was never going to take you someplace good, and anyway, you're just ripe for French's picking with the crunchy attitude and the intelligence and the strong bitchy bones. In this fantastic follow up to The Secret Place, Conway and her partner Moran are assigned what appears to be a cut-and-dry domestic; a young woman has been killed and all signs point to her over-infatuated date. But something's not right, and their investigation leads them through twists and turns toward a destination nobody - including me, a seasoned mystery reader - expected.

I really, really loved this one. I loved In the Woods because it felt so fresh and fully detailed. I loved The Likeness (despite a super questionable premise) because of its characters and references and dark academia vibes. I loved Faithful Place because it felt the most Irish to me, and I adore Frank Mackey, and the whole thing was surprisingly romantic. I loved Broken Harbor because of its themes and clarity and conciseness and because it ended with such a painful gut punch. I thought The Secret Place was okay - frankly, I never want to return to the world of teenage girl, so that one's on me. And here we land at The Trespasser, which I really, really loved because the solution was so shocking and weirdly delightful.

I wish I could explain, without sounding creepy, how real these characters feel to me. There's something about the way French writes both internal monologue and conversational dialogue that just hits so close to real life... her colloquialisms and detective speak and... her grasp of emotions like ambition and fury and resentment and... her characters, I guess, are among the most admirable fuck-ups I've encountered in literature. I should also mention she swatted me right out of a reading slump, so extra points for that.

I realize this "review" has been more about myself and my reaction and my feelings about the Dublin Murder Squad series as a whole, but there are plenty of other reviews of this book that say enough about why we love Antoinette Conway and Stephen Moran (WE LOVE THEM!). I don't want to dive too deeply into the plot because it's so enjoyable going in blind, and also, if you're here right now, curious about this book, you may already be a French superfan like me and don't need a loud recommendation. Just in case, though: READ THIS! READ THEM ALL! Bask in the glory of these books and let them haunt you forever.

The Trespasser on: Amazon | Bookshop.org | Goodreads

Review: The Secret Place

3 stars. I mean ... incredible. I have no idea why this didn't work for me, because objectively - it's an incredible book. Maybe I didn't leave myself enough time between French books, maybe the subject matter was too ... crushing, familiar territory, or something. I just found this one to be too much. Too floral, too soft, too mushy, bloated with whimsy and weird imagery. (Was this book even edited?) I also had some trouble, well, following along, which felt like such a slap in the face after the tight clarity of Broken Harbor. Tana French will always be a must-read for me, and there's nothing less impressive about this one. I'm just having a strange reaction, is all.

Here she dives into the dangerous jungle of female adolescence. Told in alternating flashbacks from various POVs, The Secret Place is about the murder of a young boy on the grounds of a girls' boarding school. Like all of her mysteries, it's more about the how/why than the who, and yep, we take a really, long, meandering, spiraling, detail-filled journey to get there. Her detectives have to learn to work together, two friendless misfits who share an ambition, and navigate among - OMG like, so gross and terrifying? - the youths to get their solve. There are rival girl gangs, secrets, illicit romances, and more. It's all a little gaggy sweet, if I'm being honest. Like, light nasty instead of dark nasty. If that makes any sense.

I really appreciate that she changed up the format, though, and tried something a little new. I adore Frank Mackey and was happy to see him again. There's also a touch of special here - magic, mystery, strange forces - that really freshens things up. I can see why it threw other fans for a loop; she often comes across as strict when it comes to her crimes. But I didn't mind it, especially because she was so casual about it. Her characters (everything from the way they speak to the way they interact) are as usual, pretty damn perfect, pretty damn engaging. The mystery itself is less so, also, I couldn't help but cringe a few times thanks to the unrealistic but personally-triggering re-emergence back into the world of being a female teenager. Fuck. That.

Man, French's world, or worlds - from the Squad to the school to the neighborhoods to the workplaces to the family homes - are all so fucking brutal, aren't they? This one was excruciatingly sad, to me. Her writing is something else really. I say this all the time about Stephen King, and I think it applies here as well: a mediocre Tana French is still going to be an incredibly good read. She's dependable like that.

The Secret Place on: Amazon | Bookshop.org | Goodreads

Review: Broken Harbor

5 stars. Broken Harbor ---> Broken Heart. This one was excruciating, and I caught myself with a clenched jaw more than once. I don't think I know of another author who can write so deeply about serious, acute, emotional pain. Why do we love this stuff?! I don't know, but I can't wait to dive into the next one, lol. If I were to rank the Dublin Murder Squad books, this one would be near the top.

The mystery: a family is found murdered in a stalled housing development near the ocean, outside of Dublin. (The setting: appropriately gloomy, isolated, half-constructed and half-abandoned, bleak and freezing cold.) Patrick Spain has been brutally stabbed, and his two children smothered in their beds. Jenny Spain, having suffered a similar knife attack, has survived and is in the hospital. Our hero: Mick "Scorcher" Kennedy, strolling onto the scene with his own story after his cameo in Faithful Place. Step right up to the plate, Scorcher, it's your turn for one of those classic Frenchian life-altering, terror-inducing, world-shattering mysteries that leaves us, as witnesses, equally shattered.

Honestly, not sure how I'm going to get through this spoiler-free, so FYI - SPOILERS AHEAD. You've been warned.

Kennedy, like most of French's protagonists, starts his book confident and capable, having stuffed a painful past into an ordered, black-and-white, neat and tidy life. To him, there's a reason, or an explanation, for everything. Even caring for his mentally ill sister has strict parameters - a deep-seated strategy he refuses to veer from. He's good at his job, he follows the rules, and he keeps his temper under control. Control the chaos - that's his thing. Without control, he's adrift. Everything’s adrift.

(I've read him described as a really unlikeable protagonist - not to me. Toxic boss behavior aside, I loved him. Or maybe, I understood him.)

And I totally thought we were going to witness the crumbling of that carefully-built lifestyle, from start to finish. I totally thought the lesson would be that his need or desire to have control = a futile, useless effort, all the way. The final act (by this I mean, Dina and Richie's betrayal) was a swerve, and a satisfying one. I was glad, honestly, to see Kennedy, not totally, but just slightly, justified. I was glad to see his need for control even mildly validated, even if he didn't want it to be, necessarily. Even if I didn't want it to be. (Again, I'm referring to Dina and Richie's actions - nothing pertaining to the case itself.)

Does that make sense?

Probably not.

Re: the case itself - French always weaves Ireland's Issues - economic and otherwise - into the narrative and it's phenomenal (and phenomenally relevant) here. The precise clarity with which she writes about shattered hopes and dreams is almost horrific. And I loved the animal aspect. When we got to read the wildlife forum posts, it was a genuine WTF moment for me. A couple of the clues weren't exactly ... groundbreaking, but they unfold themselves nicely enough. It's a scary case, though the scariest moment for me personally involved considerable damage done to an alphabetized bookshelf.

I always think of Tana French's books as Very Adult. They're wordy, thinky, contemplative. When I pick up something by her I have to be in the mood to 1) pay attention and 2) wallow in something muddy for a while. Though she nails family dynamics well, I was glad they were on the lighter (though no less dramatic) side here. I LOVED THE ENDING. I loved the themes. The Witch Elm was disappointing and very feel-bad, but I'd love to keep going with this series and check out The Searchers.

Broken Harbor on: Amazon | Bookshop.org | Goodreads

Review: The Survivors

4 stars. Jane Harper is a must-read for me, and she should be for anyone else interested in exquisite mystery thrillers with complex characters involved in complex crimes. In this one, a body of a young woman is found, throwing a small coastal town into chaos. But the core of the story is not a traditional whodunnit - it's also about a storm that ravaged the town over ten years ago, leaving three victims in its wake. I say this adoringly, but: blah blah blah, secrets, clues, family drama, unanswered questions, misplaced blame, etc. etc. etc.

For some reason this one is less of a compelling mystery and more like a ........ feel-bad story. Don't get me wrong, it's a pageturner and I wanted to know the answers, but it felt very grim getting there. Maybe I've forgotten how Harper flavored her other books, and maybe I'm inactively looking for a pick-me-up / grand escape in my reading these days, but it didn't quite hit the spot like I expected it to.

That being said - how wonderfully refreshing to read a book with a young father as the hero, unraveling the mystery with his loving, reliable partner. Also refreshing: a twist I didn't see coming, unexpectedly profound words on grief and guilt, a fantastic ending. Harper really nails those. I also appreciated the pacing and the length of this one, just concise enough to keep me up late thinking "just one more chapter..."

Clever title, BTW! The concept of the Survivors as an art piece is awesome, but obviously the word refers to our characters - each a trauma survivor in his or her own way. I really loved the very human and very heroic failures illustrated in this story, despite the utter darkness seeping out from between the lines. Harper plays with the concept of hero/villain once again, exploring the choices and decisions that lead us down one path or another. Or, maybe, landing us somewhere in-between.

The Survivors on: Amazon | Bookshop.org | Goodreads

Review: All Things Cease to Appear

5 stars. Wow, how brutal was this? I can't believe I went from the magic of Daevabad to All Things Cease to Appear. Guess it's true: I really do read everything I can get my hands on. And you know what? I loved it just as much. This is one of the most harshly human stories I've ever read, and also a lot of other things: a pageturner; a character study; a mystery. There's a murder, and a small town, and a marriage, and it takes those familiar ingredients and bakes something truly special. Painfully, sharply special. Haunting in every meaning of the word.

This book really sneaks up on you, and I highly, highly recommend going in blind, so I won't summarize except to say, broadly, that this book is about a young couple that moves into a house with a past in a small town. But it really is about so much more than that - grief, hope, despair, love, faith, art, belief, loyalty, and betrayal. Tragedy. Joy after tragedy. Arrogance. The hunt. Rage. Peace. And so much more.

By the time it ended, my heart was in my throat. Sometimes it's hard to turn my analytical brain off, but this book washed over me to the point of serious emotional investment. I ached for these characters and I felt connected to them - the female ones, particularly, dug under my skin and will probably live there for awhile. They made interesting, different choices, and pursued unusual paths, which lent itself to the plot but also a sense that this story is real. It feels like real life. I think I fell in love with each of them, a little. For whatever that's worth.

I really commend Elizabeth Brundage for taking a familiar skeleton of a story and painting its image in a new light. The way things unfold and the way she writes about the in-between spaces and the way she leaves nobody untouched and the way she works through darkness and light and the way things unfold ... it's absolutely brilliant. I want to read it again so I can sift through the sand more carefully; the first read was too white-knuckly, in a good way. I need to think about it some more and maybe, if I’m lucky, discover some of its secrets.

Flagging this for my best of the year list, for sure.

All Things Cease to Appear on: Amazon | Bookshop.org | Goodreads

Review: Plain Bad Heroines

3 stars. Inn-turr-ess-tinggg. I'm thrown. I didn't hate this, don't worry, but something about it was, well, excruciatingly annoying to me. Between the quirky footnotes, the flashbacks, the lack of horror, the sheer wordiness of it all... plus, character access felt shallow; toe-deep, and the viewfinder felt off-kilter, like we could only see one corner of the full picture, or we could only look at it sideways.

The whole thing just didn't come together in the right way, for me. And it's very possible that it all just went over my head, too.

Story 1: Present. Three young women, two actresses and an author, are brought together to make a movie about Story 2.

Story 2: Early 1900s. Three young women die under mysterious circumstances (two stung by a swarm of yellow jackets; one ate poisonous flowers) at a school for girls in Rhode Island, and the principal must deal with the aftermath.

Our questions: did something sinister lead to their deaths? Why do strange and unusual things still happen on the school's land? How will they make a movie about its hauntings, despite its hauntings? And WTF does Mary MacLane have to do with it, other than connecting all the main characters and being kind of an original badass herself?

And also, in addition to being about all that, it's about women in love with each other and the many different colors of being queer. Which is wonderful.

But back to that sideways viewfinder. Maybe it was sideways, maybe it was foggy. I just couldn’t bring it into focus. I just couldn’t figure out what I was looking at. Carefully built momentum took me nowhere. Deep dives seemed pointless. The author led us down rabbit holes that didn't seem relevant or resolved. It's full of excellent moments, for sure, but the connective tissue just wasn't strong enough, for me. I hate to say it, because this mood board has almost everything I love on it - it's just, when I step back and look at it as a whole, it's a mess.

And back to that shallow character access. Especially in Story 1, I never really got to know the three girls. For real, deep down. The narrator (anonymous? Did I miss something?) tells - it's very tell-y - a lot about their actions and thoughts but they somehow still seemed so ... flat.

Finally, though this is marketed as horror, it doesn't really hit in a scary way. There are creepy moments, and a lot of meta-exposition on the academia of horror (which I admittedly loved), but no true frightening moments. I couldn't even really tell if the stakes were that high, honestly. And the climax proved, unfortunately, that they weren't, canceling any delicious dread I felt as the mystery unfolded.

So there it is. No regrets, truthfully, because I was absolutely picking up what it was putting down about queerness and queer history and I loved the gothic tropes and the themes. And I can't rate this any lower because it is truly impressive and ambitious and like I said above, it's possible it just went right over my head. I would LOVE for someone to convince me what I missed and what it’s all about and why I should LOVE it. But here we are. Thanks for listening, anyway.

Plain Bad Heroines on: Amazon | Bookshop.org | Goodreads

Review: Catherine House

5 stars. WOW, UNEXPECTED!! In a great way. Very Vita Nostra, which I INHALED and loved, so I really enjoyed this. I saw Catherine House described as quirky in another review, and I'd agree except I'd maybe say darkly quirky instead. The narrator has a meandering, unpredictable voice that feels like quite a slap to the brain and the plot doesn't really progress in a natural way. Again, very unexpected and unique.

The story is told by our protagonist, Ines, at the beginning of a three year stay at Catherine House, an exclusive and isolated school whose alumni go on to be incredibly successful - rock stars, famous authors, Supreme Court judges, etc. Catherine House has an unusual set of rules and curriculum standards, and Ines, after a rocky start, begins to feel at home in a way she never felt on the outside. She finds herself drawn toward an academic path focused on "new materials" and attempts to investigate while determining her own uncertain future.

The writing here is very beautiful and atmospheric, and to me shone far brighter than the plot or central mystery. That's okay with me, it won't be for other readers. Just like Vita Nostra - pulling from what is probably The Secret History (I see you I feel you *waves* Hi, Bunny) - this book has a campus novel slash dark academia feel to it in all the best ways, with some absolutely brilliant details. Yeah, I'm talking about the meta lessons about the uncanny, and futurism, and surrealism. Yeah, I'm talking about the references to all the rich, sweet food eaten in the Hall. Yeah, I'm talking about the wavy, vague depictions of what it is to be wine-soaked and young in the summertime. These details really impressed me and came across as vivid, important and thoughtful.

Now that I'm writing this, I think I'd call this book a feeling. It's not an answer, or a declaration, or even a narrative in the traditional sense. It's like slipping into a pool or a cloud or a bubble. It feels cold and hot and provokes dread and anticipation and desire with subtle gestures rather than outright action. Reading it is sensational, in a literal sense; unsettling and even disturbing at times, but all in all it is the type of thing I love. Cinematic and beautifully artistic. So, yeah, not for everyone, definitely for me. 

I have a feeling that Elisabeth Thomas and I are about to become good friends. 

Catherine House on: Amazon | Bookshop.org | Goodreads

Review: Mexican Gothic

5 aromatic, fruitful, gloomy stars. I'm slowly recovering from the biggest reading slump I've ever experienced, and I'm happy to report that Mexican Gothic served as a healthy reminder that books are magic, to me. Everyone's saying it - and now I can happily confirm that this is Bronte meets Vandermeer. I loved it. This is one of those books you hate to put down, because it sucks you in story-wise AND character-wise. Every person in this story is distinct and interesting. 

The story: an intelligent, headstrong young woman named Noemi is sent out of town to investigate when she receives a rambling, mysterious letter from her newly-married cousin. She heads to High Place, a crumbling old mansion occupied by a cold, cranky family. The longer she stays at High Place, the more concerned she gets for her ill cousin, and the more ill she feels herself. So many secrets!

Among the positives: the setting, the snappy, brave protagonist, the writing that is somehow both matter-of-fact and also lushly atmospheric, the pacing, and the subversion of certain tropes about masculinity and love. As soon as I read the last word I wanted to rewind and start all over again, which is extremely rare for me (as in, it happens maybe once every 50 books or so). I snagged this at the library but will be investing in a copy for myself. It's that good. More than good, it's that FUN. 

There are plenty of little details here (like Noemi's knowledge of chemicals and dyes) that make this work so well, but I think overall the story is just a classic one. It borrows from the greats but it's not too boring or familiar - it has all the exciting elements for a fantastic gothic mystery. The villain is absolutely (and delightfully) awful and there's plenty of social commentary to unpack. I'm just really, really impressed.

I WANT ANOTHER ONE.

Mexican Gothic on: Amazon | Bookshop.org | Goodreads

Review: The Whisper Man

4 stars. WOW - this was a lot more complicated than I anticipated, in a good way. This book is a very successful example of multiple threads being woven into a complete and thrilling tapestry. I read it in one day and couldn't put it down. I was even, shall I say, a wee bit unsettled at one point...

The Whisper Man features several characters living in a town plagued by tragedy: a man, who recently moved their with his young son for a fresh start after his wife's death, an older detective haunted by a murder case he solved twenty years ago, a younger detective put on a frighteningly similar case, and several other minor - but sinister - individuals circling the mystery.

The multiple voices worked really well (I can't even complain about the younger child's POV, which I always compare to Stephen King and almost always find lacking - but not here!), and the twists and turns tie everyone together nicely. I didn't predict all of the reveals, which was quite something! 

If I did have a slight complaint, I'd say that Tom's voice sounded a bit ... I'm almost scared to say it ... feminine. I kept thinking I was reading from the perspective of a mother rather than a father. I mean, he drank white wine! I know, I'm joking, I would never adhere to such crippling gender stereotypes, but something about his approach to certain situations felt ... off. This is most definitely a problem with my interpretation and not the writing. But I am curious if anyone else experienced the same sensation.

Honestly though, this was great. This would be a fantastic beach read for those of us who like to lean into the dark stuff while lounging in the sunshine. I almost wish the author had leaned even a little bit deeper, because he's talented at writing creepy moments. 4 stars overall, and now I'm back to the Expanse............... god help me.

The Whisper Man on: Amazon | Goodreads