Retro Review: The Dry

When I started this blog, I had been posting reviews on Goodreads for about 6 months. In the interest of having all of my book writing in one place, I will post one of these old reviews every Friday. They weren't written with a blog in mind, so please forgive the lack of summary and off-the-cuff tone.

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4 stars. You’ve heard the story a thousand times: detective with a dark past returns to his small hometown and ends up solving a murder. The usual. Oh, and don’t forget secrets. Secrets are revealed. 

This is exceptional, though. It’s a neat little thriller with strong characters and a transporting atmosphere. It’s bleak and brutal but well-balanced by the protagonist’s determined good intentions. Harper also captures an overly done setting - suffering small town - in a way that lends to the story rather than drowning it in tropes and archetypes. And beyond that, The Dry is a true page-turner - I almost wish I hadn’t correctly identified the killer before the big reveal. It’s super satisfying and intense.

I don’t know why, but I expected something amateur-ish and rambling from this book. I was truly and pleasantly surprised and am impressed with the writing as a whole. It did remind me of Sharp Objects and Into the Water and Sycamore and other similar books, but this one really crackled on its own. It was concise, well-paced, dark and fresh. I will absolutely and quite happily read on to the next book.

The Dry on: Amazon | Goodreads

Review: Faithful Place

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4 stars. I was in the mood for something immersive, detailed and adult. Tana French always delivers. Faithful Place centers on Frank Mackey, a successful undercover detective called home when a suitcase is unearthed. The suitcase belongs to his first love, Rose Daly, who had ditched him for London twenty years ago. Thrown into his past among the people he swore to forget, Frank becomes determined to find out why Rose left without her possessions and broke his heart. Nothing is as it appears to be in this twisty mystery.

Compared to the first two books in this series, Faithful Place is the shortest, most predictable, most traditional mystery. It also threads more clearly the brisk Irishness only faintly felt in the other two. It's more focused on family, and class, and forgiveness. It's a slightly - only slightly - more believable premise. Frank is as deeply characterized as you'd expect, though much more charming and less mopey (sorry, Rob and Cassie!). It's all-around excellent.

I know this has been said every which way, but Tana French really is So Damn Good. Her colloquialisms and sharp turns are like disgustingly amazing. She somehow takes "shouldn't-investigate-but-investigates-anyway" to a whole new level. The layers of commentary about family and socioeconomic class are intricate and compelling. I feel like I learned a TON about Ireland - and about people. Seeing the world through Frank's eyes provided a unique, unforgettable reading experience.

This one is also surprisingly romantic - I suppose all of her books sparkle in a certain romantic way. I found it to be a bit melodramatic here (I don't really believe in "teen love"), and yet somehow charming. But it's also fucking brutal. It's not a feel-good book, it's just sort of darkly satisfying. And while I guessed the twist early on, I enjoyed feeling French dig her heels in with certain characters. She's smack dab on top of what makes a good novel and I ate up every word. Also, I think she may have nailed the 80's.

It's hard to make recommendations for these books, because there aren't many to compare. They're all just psychologically beautiful; quintessentially and delightfully Tana French. I want to study why they work so well.

Faithful Place on: Amazon | Goodreads

Retro Review: Lincoln in the Bardo

When I started this blog, I had been posting reviews on Goodreads for about 6 months. In the interest of having all of my book writing in one place, I will post one of these old reviews every Friday. They weren't written with a blog in mind, so please forgive the lack of summary and off-the-cuff tone.

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5 stars. Hmmm. Interesting. Amusing. When I shut the cover I found myself saying, “....okay, Lincoln in the Bardo, if you say so.” It’s that kind of book. Creative, of course. Innovative, even. Strong in style and originality. Funny, really funny. 

I would say, though, that the whole thing felt kind of like a … graduate course exercise? Or an amateur experiment? It’s difficult to articulate my discomfort with the enormous amount of praise this book has received. 

It is certainly something new. And I must commend Saunders for shedding a new light on one of the most studied, read-about, written-about figures in history.

Okay - update - it’s been about a month since I finished this book and I can’t stop thinking about it, or raving about it to my friends. Apparently, I loved it. I think I’m attracted to the risky nature of the writing - I mean, this is a ballsy book. I’m baffled by how Saunders mixed the funny, the odd, and the painful and got such an engaging story. This whole thing is just a giant “....what? ….how?” for me. 

In a good way, I think.

Lincoln in the Bardo on: Amazon | Goodreads

Review: The Seven Husbands of Evelyn Hugo

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3 stars. Well, I think I can see why people loved this so much. It's full of Stuff That People Like. Old Hollywood glamour, scandals, a peek behind the curtain, a plucky journalist, dialogue that sounds more like written word, true love, melodrama, plus complicated, sexual women, and a plot that gets wrapped up with a neat little bow.

It's about Monique, a young journalist trying to find her stride after her husband's departure. She is shocked to discover that Evelyn Hugo, screen legend, has decided to give her her life story in pursuit of an honest biography. Evelyn has been in the public eye since the 50's, and has a string of scandals to prove it. But Monique very quickly realizes that there's much more to Evelyn than her persona implies, and the two women slowly connect over the power of love, and the power of truth.

The problem is, although it's not really a problem necessarily, is that this is a book full of Stuff That People Like, which is not Stuff That Kelly Likes.

I like Old Hollywood glamour, and complicated, sexual women, and I absolutely, wholeheartedly stand by the messaging here. This is a piece of good writing. Really good writing. Taylor Jenkins Reid has articulated so many things I believe: that love is complicated, that life is short, that people aren't black or white, that divorce is sometimes a win, that forgiveness is hard but crucial.

But look, it just didn't do it for me. I dislike predictability, and true love, and neatly packaged plotlines. I completely respect the writing, but I couldn't get totally into it. It wasn't really tangy or thought-provoking enough for me. Evelyn Hugo is a fascinating character, but at times she almost seemed ... messiah-adjacent, or something.

My goodness, people have written words and words and words on this book. I really do recommend it - three stars means I liked it! I basically read it in one sitting and any "faults" I find are my own, not the author's. It just didn't hit totally home for me. Hope that's cool.

The Seven Husbands of Evelyn Hugo on: Amazon | Goodreads

Retro Review: The Essex Serpent

When I started this blog, I had been posting reviews on Goodreads for about 6 months. In the interest of having all of my book writing in one place, I will post one of these old reviews every Friday. They weren't written with a blog in mind, so please forgive the lack of summary and off-the-cuff tone.

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4 stars. I really, really, really enjoyed this novel. It felt like reading Dickens, with the sweeping observational statements on social issues like housing and class, except the complex characterizations didn’t make me feel like I was drowning. Perry handles excess beautifully - the extra details aren’t tedious or superfluous or grandiose. It’s the sort of language I wanted from Fates and Furies - the opposite of heavy-handed.

It’s also like Jane Austen, except Perry doesn’t critique her characters from a place of arrogance - she critiques them from a place of kindness and understanding and wisdom and forgiveness of everyone’s flaws.

I’m not sure why I docked a star, as this is a mostly glowing review. I think maybe I was a little let down by the ending. 

I’m surprised this hasn’t been studied more often from a feminist angle. Here we have several multifaceted women who are capable of great good and great harm - who are self-reflective and yet at times horribly ignorant of the consequences to their actions. This is interesting, these complicated women who reflect the women I know and love in real life. They have broken out of cookie cutter form. 

More on this: several months ago I sent my guy a link to Joan Didion’s essay “On Self-Respect.” His reaction? “I … don’t get it. Why would someone behave in a way they wouldn’t respect? Why would anyone choose to act in a way they’d regret?” I actually don't really know, but in my experience an individual can be self-aware and still make mistakes. I guess that's why I’m fascinated by Cora’s character - her insecurities and anxieties coupled with her overwhelming confidence (arrogance?) and independence.

I think perhaps my favorite aspect of this novel is Perry’s demonstration of the blurred lines between friendship and love. She explores the bond between a man and a woman - sometimes a man and more than one woman; sometimes a woman and more than one man. I won’t dive into my thoughts on monogamy in general (basically, monogamy is weird), but I will say that I really, really appreciated it when - upon hearing Will declare his shock at loving her despite living in an incredibly happy marriage - Cora simply said, hey, I’m not surprised, you can love more than one person. 

You have enough love in you for that.

Truly one of my favorites of the year.

The Essex Serpent on: Amazon | Goodreads

Review: The Hunger

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3 stars. Don't get me wrong - this is a fantastic read. I read it in one day and couldn't put it down. It's like a delightfully dark horror movie (and will undoubtedly one day be adapted into a great one). But it isn't perfect, and there were some components I couldn't stand.

The Hunger reminds me of The Terror in the sense that it is a fictional retelling of a tragic moment in history with a supernatural twist. Alma Katsu obviously did her research into the region and the people and the ins and outs of wagon train voyages, but go in aware: she takes a lot of liberties.

She seeks to tell the tale of the doomed Donner Party, who, for those of us NOT obsessed with disturbing shit, attempted to migrate to California in a wagon train and resorted to cannibalism when they became trapped for the winter. It's a fascinating event in itself, demonstrating how humans fail - physically and morally - under harsh, catastrophic conditions.

Katsu explores this theme in her book, in no way replacing the human horror with monster horror. As things get tough, the voyagers get nasty. There are several particular villains here that leap off the page and scared me in ways no zombie ever will.

“Terrible things happened to children—and women—all the time, in their own homes, by people you knew, people you thought you could trust.”

But there are a few things that rubbed me the wrong way.

First, there was an UDD (Unnecessary Dog Death).

Second, there was a surprising amount of sex and romance. It's like in this book's world, an individual couldn't exist without having some sort of fetish, specific desire or deep attraction for someone. I love reading about sexually active women, but it doesn't have to be every single character's THING - their defining characteristic.

Third, the ending felt really weird and rushed and strange. Maybe a little anticlimactic?

Regardless, this is a must read for horror fans. There are some spectacular moments woven into this complex narrative - moments that will stay with me for years. Sure, it gets a little melodramatic, or overwrought, but it's excellent. Very creative, very fun.

The Hunger on: Amazon | Goodreads

Review: One Flew Over the Cuckoo's Nest

2019 CHALLENGE: 1 YOU HAVEN'T READ THAT YET?! PER MONTH 07 / 12

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4 stars. A month ago I was cursing my book challenge because I was like three books behind and feeling the pressure. I'm SO glad I pushed myself to keep going. This is exactly why I wanted to do this challenge, because there are so many books out there that I wouldn't necessarily reach for but need to read. And One Flew Over the Cuckoo's Nest is such a game changer.

This is a story told from the perspective of a patient in a mental institution. He is Native American, schizophrenic, and incredibly observant. (Seriously - this is one of the strongest narrative voices I've ever encountered.) He spends his days cleaning the floors under the watchful eye of the person in charge, a stern and oppressive woman named Nurse Ratched.

One day, there's a break in the monotony: a new patient arrives. To the shock and bewilderment of the patients and the staff, McMurphy is loud, brash, prideful, funny, charming, and determined to bring chaos to the strict order of the hospital. He latches onto Nurse Ratched, and the entire book tracks their spiraling battle toward a (sorry for the cliche) devastating conclusion.

“All I know is this: nobody's very big in the first place, and it looks to me like everybody spends their whole life tearing everybody else down.”

It's not necessarily an easy read, if that makes sense. It feels like something I'd need to read for school. It's thick and abstract and full of allegories and metaphors and triggers the tingly sensation that you're reading something with meaning. It explores huge, giant themes and feels way ahead of its time. It's a grand exploration of sanity, madness, chaos, order, society, power, expectation, repression, rules, rebellion, life, and death. I'm obsessed with the fact that I read this right after reading Fight Club. The two go hand-in-hand.

Other excellent things: each character is distinct and complex and full. Each patient suffers from his own specific ailment and acts accordingly on the page. The narrator undergoes an incredibly satisfying transformation. There's a tremendous sequence involving a jailbreak and an act of piracy. And the writing is incredible, and fair.

One not-so-excellent thing: the racist and misogynist undertones. I'm docking a star in honor of Nurse Ratched's wonderful breasts, which should never have been a defining characteristic of her identity as a villain. There's something really gross about the fact that the only female characters in this book are either completely evil or sex workers.

Still, everyone should read this book. No wonder it's a classic.

One Flew Over the Cuckoo’s Nest on: Amazon | Goodreads

Retro Review: If We Were Villains

When I started this blog, I had been posting reviews on Goodreads for about 6 months. In the interest of having all of my book writing in one place, I will post one of these old reviews every Friday. They weren't written with a blog in mind, so please forgive the lack of summary and off-the-cuff tone.

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3 stars. I have mixed feelings about this book. There’s so much Shakespeare, which I absolutely loved. It compares quite adequately to The Secret History and its other lookalikes, which I also loved. It’s fast-paced, well-rounded and well-written. But it isn’t perfect and, I’m sorry to say, I was left unsatisfied. 

First issue - can anyone explain Richard’s escalating behavior in Act I? In my experience, people don’t change quite that dramatically without some sort of catalyst - drug abuse, adult onset bipolar disorder, SOMETHING. From the beginning, Richard felt like a plot device, his tantrums ultimately unexplained. It just didn’t feel natural, to me.

Second issue - one of the fantastic elements of The Secret History is its believability. Donna Tartt took pages and pages and pages to build a sturdy foundation so by the time we get to the murder, it feels like an act within the realm of what we’d expect from our characters. And listen, I’m happy to suspend realism for the sake of a good story. But the fact that six people completely readjusted their moral compasses on exactly the same night after a man demonstrated mentally ill - antagonistic, aggressive, scary, but mentally ill nonetheless - behavior for, what, several weeks? After years of friendship? Does not compute. For me, at least.

Third issue - about ¾ of the way through the book I shut it and whispered “first world problems.” This has been noted in other reviews, but these characters are privileged, ignorant and exhibit totally skewed perspectives. This may be explained by the whole “blame everything on Shakespeare” theme, and I actually buy that, in away. I’m certain that the school formed a bubble in which these people lived and perceived things and made decisions. But it really did seem … beyond dramatic. Melodramatic.

Fourth issue - all of this could’ve been solved had people just slept with whom they were attracted. Yeah, this is all basically just a giant case of romantic self-sabotage. Everybody’s cockblocking each other and using each other for sex and everything could’ve been prevented had the characters been honest with themselves. And look, truthfully, I don’t think I’m looking at this objectively. These people’s approach to courtship and sex and love don’t match my experiences at all. I don’t know anything about anything that transcends lust - transcends love even - enough to believe Oliver’s actions. I guess the characters felt like teenagers saturated with hormones (not unlike Romeo and Juliet?) rather than 20-something college students. 

WAIT, IS THAT THE POINT?! Did I just stumble on the whole damn point? These people spent so much time playing Shakespeare’s exaggerated, overemotional characters that they became exaggerated and overemotional themselves? HMMMM.

Alright, well, I feel bad now. I enjoyed this. I really did. M.L. Rio is incredibly talented and I have a huge crush on her. I want to learn from her - I want to learn how she thinks and what she knows and how she writes. I want to bond with her on things like Shakespeare and drama and Big Themes. But, as always, to thine own self be true, and If We Were Villains just felt a little empty, to me.

If We Were Villains on: Amazon | Goodreads

Review: Fight Club

2019 CHALLENGE: 1 YOU HAVEN'T READ THAT YET?! PER MONTH 06 / 12

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5 stars. Fight Club is spoken about with such reverence and now I understand why. I understand why it peppers the millennial landscape. I see why it resonates with readers in such a profoundly powerful way. It literally inspires action.

It takes an entire generation’s scream and segments it into something articulate and corporeal. I’m so deeply impressed and confused and curious. What is this? What did I just read? Why do I feel like someone opened me up, poked around, and sewed me back up wrong?

It’s a short book, and written with a sharp, deadpan voice. Our narrator finds himself at the center of a male-driven cultural movement that begins with little rebellions - tampering with rich people’s food, for example, and secretly beating the shit out of each other in bar basements - and ends with total chaos.

It’s about seeking genuine connection amid the cogs and gears of the machine, it’s about returning to your roots as a human being, and it’s about eradicating the bullshit. It’s about angst, and regret, and restlessness, and masculinity.

I can’t stop thinking about something that has stuck with me over the years: first of all, hi, nice to meet you, my entire education revolved around standardized testing. Later in high school, when I was scheduled to take one the of the mandated exams - the SOLs, the AP test, maybe - I came across a news article about how students across the country were writing “THIS IS SPARTA” in the middle of their essays (this was the late 2000’s and 300 was like The Thing). I loved that idea. Harmless, hilarious, but a way to take back control, if only for one second.

Now it’s REALLY going to stick with me.

I don’t want Flight Club to be prophetic, but it may have already proven itself as such. And honestly, I found myself drawn toward Project Mayhem - nodding along with Tyler’s declarations, eager to know what’s next, feeling more alive with every sentence. It has a very prominent dude smell, which I kind of hate, but it really is incredible.

So, so happy I read this. It’s insane.

Fight Club on: Amazon | Goodreads

Review: Sex At Dawn

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4 stars. For all my friends desperate to know the correlation between testicle size and mating habits - THIS BOOK IS FOR YOU!!

After years of bouncing around and trying to find my identity as a sexually active adolescent and young adult, I've come to the conclusion that the human brain is too complex to be able to match perfectly with another's for an entire lifetime. There's just no way the perfect puzzle piece - or just one perfect puzzle piece - exists. And I'm happily married. [“Is it so very obvious that you can’t love more than one person?"]

I do sort of buy into the idea of love, and long-term companionship, but for me all that is largely separate from sex. I guess it's no surprise then to admit that I found myself nodding along with a lot of what's said here.

That being said, I'm not totally convinced that everything in this book is true, accurate or factual. I'm not totally convinced it's even objective. My thoughts on monogamy could be attributed to, quite frankly, "commitment issues," or even more likely, confirmation bias. But I think it's good to ask questions about this stuff. Because the world is very big and I refuse to believe my way is the right way - or the only way.

"Could it be that the atomic isolation of the husband-wife nucleus with an orbiting child or two is in fact a culturally imposed aberration for our species—as ill-suited to our evolved tendencies as corsets, chastity belts, and suits of armor? Dare we ask whether mothers, fathers, and children are all being shoe-horned into a family structure that suits none of us? Might the contemporary pandemics of fracturing families, parental exhaustion, and confused, resentful children be predictable consequences of what is, in truth, a distorted and distorting family structure inappropriate for our species?"

I am absolutely fascinated by the subject matter and will be exploring further. The authors make many, many compelling and well-written points tracing our problematic view of human sexuality throughout history. ALL of history. Cavemen included. We get to explore primate behavior, learn about isolated tribes, tackle the concepts of patriarchy and jealousy head on...

"Societies in which women have lots of autonomy and authority tend to be decidedly male-friendly, relaxed, tolerant, and plenty sexy. Got that, fellas? If you’re unhappy at the amount of sexual opportunity in your life, don’t blame the women. Instead, make sure they have equal access to power, wealth, and status. Then watch what happens."

...highlight the inadequacies and prejudices of anthropologists, etc. Actually, one of this book's strongest features, I think, is its ability to explain these inadequacies with valid conclusions about each philosopher, scientist, anthropologist's point of view. Instead of criticizing ignorance, these authors explain it. That was refreshing.

It's also accessible. Definitely academic at times, but concise and to the point and strongly written for those of us not ridiculously educated.

I docked a star because I want more, which is not necessarily a criticism. I found the book to be one-sided, with a primary focus on male traits and behaviors, and I also found it to be somewhat outdated. I would love to see an update that includes an exploration of dating apps, sex work, etc. I would love to see something more inclusive that looks at queer relationships - though not ignored in this study, I think there's a larger place for them here. And I would like to see a look at the darker side of sex - rape, sex crimes, violent fetishes, etc. For both men and women.

Anyway, I suppose I could talk about this for hours. I loved it, although there's a teeny tiny part of me that thinks maybe this was written by a dude looking to provide the world's greatest excuse for cheating. Maybe because my husband's response to the passage about testicles was a delighted "MY BALLS ARE SMART!!" *eye roll*

It's fascinating, though. We've gone wrong in a lot of ways.

Sex At Dawn on: Amazon | Goodreads