Review: Rosewater
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4 stars. Here’s my main point, upfront: this book requires you to just sit back and enjoy the ride. It’s a complicated, futuristic sci-fi with alternating sets of flashbacks and a lot of unknown vocabulary. It’s intimidating, multifaceted and strange, but very imaginative and entertaining.
Full disclosure: I was in the mood for this book. I had just finished both The Cabin at the End of the World and Call Me By Your Name and was done done done with gut punches for awhile. I literally said to someone, “Aliens, aliens, give me your fucking aliens.”
So I went for it. And Tade Thompson WENT FOR IT. And I couldn’t put it down, and I can’t stop thinking about it, and I want more. I surrendered to the crazy and thoroughly enjoyed the twists and turns and Thompson’s brilliance.
Stepping back, though, if you’re interested: the title refers to a town in future Nigeria called Rosewater, which surrounds an alien biome that opens once a year and heals people suffering from injury or illness. Our protagonist is Kaaro, a surly yet charming psychic “finder” who uses his abilities to protect a bank from cyber threats and to serve as an agent for a shadowy government agency called S45. Through alternating flashbacks, we follow Kaaro through three separate timelines: the present, during which he navigates and deals with the alien threat, a middle period, during which we learn about his initial work with S45, and an early period, during which we see Kaaro as a young thief trying to survive in the chaotic aftermath of an alien landing on Earth.
Remember when I said it was intimidating and multifaceted?
It’s also full and wonderful. Kaaro makes for a refreshingly unpredictable protagonist, and the supporting characters operate with an exciting amount of agency. The diverse setting proves its worth again and again and while yes - there are unanswered questions at the end - Thompson ties up loose ends nicely.
I have to admit - I loved that America was “dark” (essentially a non-presence) in this book. Good, I’m tired of hearing about America and need a fucking break (and I live there). Elevate other voices, other cultures, other worlds.
I docked a star for the flashback narrative structure, which threw me off more than once. And also because I’m unconvinced Thompson’s portrayal of women is well-rounded, or shall I say, anywhere outside of or beyond a sexual lens. Sure, Kaaro’s a bit of a horndog, but there must be someone even he doesn’t measure immediately based on her appearance or his sexual appetite.
But as I said first: this book is a wild ride and requires a certain commitment to just accepting it and rolling with the punches. I really, really, really loved it. I was inspired by it. I can’t wait to read more of this bizarre, insane, captivating story.